rides a wave of urgency from the first bitten victim all the way through to the finale as police activity swarms noisily outside and raging zombies attack incessantly inside.ĭirectors Jaume Balaguero and Paco Plaza drop a Hansel and Gretel crumb trail that tantalizingly creates a path through the backstory while letting everything onscreen unfurl at a naturally fast pace. But once the horror starts after arriving at the apartment building, it never stops. Eight or so minutes are given over to vapid exchanges when a quiet firehouse tour is the only event on hand. also avoids the trampled route of slowly ramping exposition that culminates in a climax made more exciting by the preceding hour being so dreadfully dull. The police are inadvertently challenging them to keep the camera mounted and the power on, as if to make them say, “you can’t tell me what to do.” Acting on journalistic instinct, Pablo and Angela insist on continuing to film partly because they sense a huge story breaking, and partly to spite the authorities telling them not to. When Hell breaks loose, the police on scene put a hand over the lens like a shady businessman wearing a blurry face in a “20/20” exposé. This deceptively simple premise gives the filmmakers a ready-made answer for virtually every common “found footage” criticism, starting with why the camera is perpetually recording. Angela and Pablo are now caught in a different story entirely as infection spreads and humans become something else. After responding to a call of screams from inside an apartment, Angela and Pablo find themselves trapped with the police, firemen, and residents when the building is inexplicably quarantined. As show host and cameraman respectively, they have the much more mundane assignment of following average firemen around Barcelona for a routine night shift. Angela and Pablo are neither amateur filmmakers setting out to intentionally find a witch in the woods nor a ghost hunting reality TV crew searching a haunted building. Right from the word “go,” is ahead of its peers by presenting unassuming characters in an initial setup that in no way primes them for the unexpected shocks ahead. Already successfully combining the best of a viral outbreak thriller with ravenous zombie horror, writes a PhD-grade textbook on how to present “found footage” effectively, and it does so in just 70 minutes. is the movie to recommend for anyone who wants to understand what the fuss is about with “found footage,” but has yet to find a film that captures everything worthwhile offered by the sub-genre. Pablo is killed and Angela is pulled away into the darkness. Angela and Pablo eventually encounter a feral boy as well as Tristana, who has emaciated into a ghoulish figure. Nina Medeiros, he locked her inside the apartment and the virus ultimately spread. When the man was unable to successfully treat the girl, named Tristana Medeiros a.k.a. Inside, they discover newspaper clippings and an audio recording revealing that the mystery man was working for the Vatican to find a biological origin for demonic possession in an afflicted girl. As more and more people are bitten and turned, Angela and Pablo are forced to barricade themselves inside the penthouse, which is supposedly vacant, but rented by a man from Madrid. Jennifer is chased upstairs where she bites the health inspector. Jennifer suddenly succumbs to the infection and bites her mom. The residents force him to reveal that authorities had the building targeted since receiving a call from a veterinarian regarding a dog with an unknown illness. A health inspector in a hazmat suit enters the building. A seven-year-old girl named Jennifer, supposedly ill with tonsillitis, tells Angela that her dog Max has been at the vet since getting sick. Izquierdo when she attacks again.Īngela interviews residents about the developing story. Police officers go back upstairs and are forced to shoot Mrs. Izquierdo, Alex plummets down the open stairwell and onto the ground floor. Back downstairs, everyone becomes trapped inside as authorities surround the building and seal it for quarantine. Alex stays with the woman while the others take the wounded officer to the lobby. Angela and Pablo accompany the firemen when they are called to a chaotic scene at an apartment building in Barcelona where panicked residents are assembled in the lobby.Ī police officer takes the TV crew and the firemen to an upstairs apartment where they encounter a hysterical woman, Conchita Izquierdo, who savagely bites the officer. Show host Angela Vidal and her cameraman Pablo begin shooting the latest episode of “While You’re Asleep” by chronicling an average evening in the lives of firemen Alex and Manu.
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